POTTER, COLIN 'Ancient History' Standard Edition

Now Shipping.

Colin Potter - Again
1 On Entering York Minster
2 Rooftops
3 You Tell Me
4 Mainland
5 All Reel
6** Forest Of Galtres
Original casette released by ICR in 1982.

Colin Potter - Two Nights
1 8th June 1982
2 9th June 1982
3** One Million Blades Of Grass
Original casette released by ICR in 1981.
Colin Potter - Recent History Volume 1
1 Nine Months
2 The French Polisher
3 Ships That Pass In The Night
4 One Million Blades Of Grass (Parts 1 & 2)
5 Yellow Fields
6 Persistence
7** Marsh Fog

Original casette released by ICR in 1989.
Colin Potter - Recent History Volume 2
1 Diary Of A Nobody
2 Saw
3 The Lion, The Witch & The Trouser Press
4 The State
5 Statement
6 Chop
7 Green Fields
8 Wall Of Mirrors
9 Soul Train
10 Solidarity At Wujek Colliery
11**The Borrowing Engine
Original casette released by ICR in 1989.

Colin Potter Bonus Disc - Deja Who
1 Know More
2 Malton
3 No Nothing
4 Lost
5 Bulkhead
6 Drone for JC
7 No More
8 Washing Machine
9 Know No Thing
10 No Good
11 Shark Music
4 CD Box
insists he will release another box set of my earlier music! Daniela Cascella persuaded me that it was something that should be done and gave me a lot of encouragement and support whilst I was putting it together. Mel Jefferson has been an immense help over many years, with all things practical, musical and technical, and without him I would never have had such a decent studio. Jonathan Coleclough has been designing release artwork for me as long as I care to remember. And I’m very happy that he has continued to do so, including this very item. Finally, I would like to thank all the people who have supported and/or encouraged me over the years. Because of you, I’m still at it & will continue to do so, until they take me away. These four cassettes were released in the period 1982–89. I think it’s acceptable to say that this is when I had realised I shouldn’t attempt to write ‘songs’, keep my mouth firmly closed and never ‘sing’ in public again. There were many other changes during those years, technical and personal, which influenced the noise I was making. When I was re-mastering these tracks, some of which are over thirty years old, it was odd to think about how they were made, almost as if it was another person who had constructed them. Maybe it was. Still, enough of the guff. I need to thank certain important people: Yuen Kim Wah of Ultra-Mail Prod. was kind enough to suggest this project and was patient enough to put up with me faffing about and taking ages to sort it out. He even